
My sister gave me Raymond Carver's Cathedral for my birthday. It's a terrific collection of short stories which focuses on characters who are not normally the stuff of great literature.
Let's face it: top notch writing usually focuses on characters who lead lives far different than our own. Hamlet is a prince. Ahab, a sea captain. Holden Caufield, a prep school runaway. Gatsby, a gangster. The list of classic characters with colorful backgrounds goes on and on.
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Carver, on the other hand, focuses on people who struggle to pay the bills, people who lead humble lives, people who battle endlessly to make it to the next pay check. It's a tough feat to accomplish, yet Carver does it masterfully, again and again and again.
Of course, Carver is mostly famous for writing in a wonderfully minimalist style. The man's ability to make seemingly mundane characters colorful, however, is extraordinary.
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Perhaps that's because Carver himself came from something of a humble background. Besides writing, the man was also a sawmill worker and janitor. Successfully battling his alcoholism, he managed to earn acclaim normally reserved for those of more “respectable” backgrounds.
Literature can be a notoriously elitist artistic endeavor. This has especially been true since the 20th century, when the likes of T.S. Eliot and James Joyce made great writing alienating to many who lacked a classical education. Carver repudiated the belief that serious writing should only be available to a select few.
Anyone who feels literature is only for English majors and academics should give Carver a try. Rather than reading like a foreign language, Carver's style is accessible to everyone — and is just as high quality as the best of them.