
The 49th IPO season opens in thundering fashion with the return of one of the world’s most celebrated young violists, Matthew Lipman. Glinka’s Ruslan and Lyudmila Overture hits like a thunderclap – strings blazing at breakneck speed, brass punching through, the whole orchestra in a flat-out sprint from bar one. It is arguably the most exciting curtain-raiser in the repertoire, and live, in a great hall, it is genuinely jaw-dropping. Walton’s Viola Concerto is extraordinary – with the viola entering alone, unaccompanied, as if confiding something private to the hall. From that moment on, the orchestra and soloist are in a conversation that is by turns tender, mercurial, and finally blazing. The finale crackles with energy and wit before the whole work resolves in a moment of devastating emotional clarity. Brahms Symphony no. 1 is so monumental, so perfectly constructed, that Hans von Bülow called it “Beethoven’s Tenth.” Live, it is overwhelming. This is why orchestras exist.