'The Internship' is mostly funny, 'The Purge' has a unique concept but a by-the-numbers execution and Joss Whedon's 'Much Ado About Nothing' is an average Shakespeare interpretation.
'Now You See Me' is amusing but lightweight and 'After Earth' is a misfire, but 'The East' is a tense indie thriller.
Father-son duo Will and Jaden Smith reunite in this summer’s sci-fi blockbuster, After Earth. Sponsored by Sony.
'The Hangover Part III' is a bust, 'Fast and Furious 6' is equally good to the other films in the series and 'Before Midnight' is highly recommended.
What's hot for the summer movie season? Patch has it covered!
'Star Trek Into Darkness' is an average entry into the series, while 'Frances Ha' is an equally hilarious and melancholy tale of a life going nowhere.
'The Great Gatsby' is one-half of a recommendable movie and 'The Iceman' is a solid crime drama, while 'Sightseers' is a bust.
'Iron Man 3' is an average kickoff for the summer movie season and 'Something in the Air' is a decent period piece, but 'Post Tenebras Lux' falls short.
This week's topic involves child custody.
'Pain and Gain' is an over-the-top crime saga from Michael Bay, while 'Mud' is a indie gem and 'At Any Price' is a solid farm tale.
Bill Clinton and twitter. This is gonna be great.
'Oblivion' is visually striking, but narratively jumbled, while Rob Zombie's 'The Lords of Salem' is moody, but ultimately unsatisfying.
Ed Sullivan! And so forth.
Pick on Bloomberg while you can.
'42' is an enjoyable, if not groundbreaking, Jackie Robinson biopic, while 'To the Wonder' is a visually stunning and experimental new movie from Terrence Malick.
'Evil Dead' is grotesque and pales in comparison to the original, 'Trance' is stylish but not one of Danny Boyle's best and 'The Company You Keep' is a solid political thriller.
'The Place Beyond the Pines' is a gripping crime drama and 'Room 237' is a unique piece of critical analysis, but 'The Host' falls flat.
The burning question is "when?" The answer: 'Nobody knows.'
'The Call' is an effectively creepy low budget thriller, while the well-received indies 'Spring Breakers' and 'Reality' are a bit of a letdown.
'Dead Man Down' and 'Oz, the Great and Powerful' both have praiseworthy elements, but neither film reaches its full potential.
Storm clouds, art, and dancing in this week's best photos.
'Stoker' and 'Leviathan' are not as good as you may have heard, while '21 and Over' is just as bad as you might think.
'Snitch,' 'Dark Skies' and 'Like Someone in Love' all have merits, but not enough to recommend them.
Take a look at Patch's picks for who will and should win.
Check out your town through the eyes of an artist.
'A Good Day to Die Hard' is a weak entry in the action series, while Chile's 'No' is an engrossing political thriller.
'Side Effects' is an engrossing, twisty thriller, while 'A Glimpse Inside the Mind of Charles Swan III' is stylish, but lacking in substance.
'Bullet to the Head' is an average Stallone action film, while 'Warm Bodies' is more charming than you might think.
'Movie 43' is a complete disaster, while 'Parker' and 'Happy People' are modest successes.
This week's "Over the Hump" takes a look at an upcoming gallery show in Manhattan.
'The Last Stand' and 'Broken City' are modestly amusing, but 'Mama' is a paint by numbers ghost story.
Both 'Gangster Squad' and 'Struck by Lightning' aren't bad, but merely average.
Django Unchained, Les Miserables and other movies are showing at local theaters.
Looking for something to do this weekend? Warm up with some jazz in the Village.
'Texas Chainsaw 3D' is about as good as you'd expect it to be, while Michael Apted's '56 Up' is the latest chapter in a fascinating experiment.
You guys aren't so bullish on our latest crop of mayoral candidates, huh?
'Django Unchained' is a wild, inventive western from Quentin Tarantino, while 'Les Miserables' is frequently impressive, but exhausting, and 'Promised Land' is a solid 'message movie.'
Take a look at the top 10 best films of the year, 10 runners up and the worst of 2012 from Patch editor Nathan Duke.
Find some of your favorites from this year.
'Zero Dark Thirty' and 'Amour' are among the year's best, while 'Not Fade Away' and 'This is 40' are pretty good and 'On the Road' is stylish, but flawed.