In the two short years following his groundbreaking Carnegie Hall debut, the avant-pop classical violinist HAHN-BIN has become a revolutionary force in music with his “dazzling, genuinely provocative takes on classical music as performance art” (The New York Times). A “prodigious talent” (The New Yorker), the 24-year-old violin phenomenon brings the quarantined musical genre into mainstream culture through his overarching project The Renaissance of Classical Music, leaving audiences “simply mesmerized” (The Huffington Post), “wildly entertained” (Time Out New York) and “spellbound” (Artforum.com) with the “extraordinary, intelligent and beautiful” (The Washington Post) performances of his “inspired, bracing, and innovative” (The New York Times) programs.