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Los Angeles|Local Event

Janie Geiser’s Time, a substance

Janie Geiser’s Time, a substance

In person: filmmaker Janie Geiser in conversation with USC professor Holly Willis

Southern California-based artist Janie Geiser’s wide-ranging practice includes performance, film, installation, and art. Known for its recontextualization of abandoned images and objects; embrace of artifice; and investigation of memory, power, and loss, Geiser’s work “prowls around the mysterious boundary-land between territories—like the lands of the conscious and the unconscious mind, or life and death” (Holly Willis). The seven recent works that encompass Time, a substance span 2019–25, and include several that were made during the early years of the pandemic. The films move in and out of tangible and intangible spaces, defined by collage sources including faded photographic slides, empty photo albums, a child’s shooting game, photographs, negatives, and renderings created with a desktop home designer program. Each film’s distinct visual and... sonic texture translates to a uniquely haptic experience, with Geiser’s layering and close-ups striking a deep chord in our sense memories.  

All films directed by Janie Geiser.  

Reverse Shadow 

2019. 8 min. USA. Color. Sound. Digital  

Absent Objects

2020. 8 min. USA. Color. Sound. Digital

22 Light-Years

2021. 18 min. USA. Color. Sound. Digital

Vaporetto  

2021. 3 min. USA. Color. Sound. Digital

Heliotrope

2023. 7 min. USA. Color. Sound. Digital  

Chameleon Law

2022. 8 min. USA. Color. Sound. Digital

Sudden Tourniquet 

2025. 8 min. USA. Color. Digital

Total program runtime: approx. 60 min.

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