Arts & Entertainment

Rep Stage Presents Off-Broadway Smash Hit "Speech and Debate"

Rep Stage Presents Recent Off-Broadway Smash Hit ā€œSpeech & Debateā€

April 13 to May 1

Dynamite four-person cast and director — all new to Rep Stage — bring this hilarious comedy to the stage

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Rep Stage, the professional Equity theatre in residence at Howard Community College (HCC), closes its 18th season with Stephen Karam’sĀ ā€œSpeech & Debate,ā€Ā directed by Eve Muson and featuring Parker Drown, the 2010 recipient of the Helen Hayes Award for Outstanding Lead Actor in a Musical.

ā€œSpeech & Debateā€ opensĀ April 13Ā and runs throughĀ May 1, 2011Ā in theĀ Studio TheatreĀ of the Horowitz Visual and Performing Arts Center (HVPA) on the HCC campus. For tickets and additional information, visitĀ www.repstage.orgĀ or call 443-518-1500.

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AĀ post-show receptionĀ follows theĀ Saturday, April 16Ā evening performance and freeĀ post-show discussionsĀ follow theĀ April 22Ā andĀ 29Ā performances.Ā 

Press performance is Saturday, April 16 at 8 p.m. For media photos and reservations, contact Mike Scrivener in the HCC Office of Public Relations and Marketing at 443-518-3133 ormscrivener@howardcc.edu.

ā€œYoung and Gay in Howard County,ā€ aĀ panel discussionĀ led by Colette Roberts, founder of Howard County Parents, Families and Friends of Lesbians and Gays, will precede theĀ Saturday, April 30afternoon performance atĀ 12:30 p.m.Ā Topics to be discussed include family and community support, coming out, bullying, marriage and advocacy.

ā€œSpeech & Debateā€ is a distinctive comedy dealing with what happens when three students are suddenly armed with knowledge of a sex scandal involving one of their high school teachers. Michael Stebbins, Rep Stage’s producing artistic director, adds, ā€œThese three high school misfits — a frumpy girl, nerdy guy and openly gay guy — are brought together as they grapple with this taboo subject through song, dance, role-playing and cyberspace. These are characters that you laugh with, empathize with, and root for all the way.ā€

In its review of ā€Speech & Debate,ā€ The New York Times wrote, ā€The play’s real accomplishment is its picture of the borderland between late adolescence and adulthood, where grown-up ideas and ambition coexist with childish will and bravado.ā€

Meet the Playwright:

Stephen Karam’sĀ ā€œSpeech & Debateā€ was produced Off-Broadway by Roundabout Theatre Company as the inaugural production of Roundabout Underground. He is the co-author of ā€œColumbinusā€ (2006 Helen Hayes nomination), which ran at the New York Theatre Workshop following a co-production by Round House/Perseverance Theatres. His last two plays, ā€œSpeech & Debateā€ and ā€œGirl on Girl,ā€ debuted as workshop productions at the Brown/Trinity Playwrights Repertory Theatre. He is currently working on a new play commission for Roundabout Theatre Company and a screenplay adaptation of ā€œSpeech & Debateā€ for Overture Films. He holds a Bachelor of Arts degree from Brown University.

Meet the Director:

Eve Muson’s directing credits include ā€œVenus,ā€ ā€œGodspell,ā€ ā€œBig Riverā€ and ā€œPeter Panā€ at Olney Theatre Center, and many productions at Boston Playwrights Theatre, American Stage Festival, and Edinburgh Festival Fringe. She has directed dozens of university plays including ā€œLas Meninas,ā€ ā€œThe Cripple of Inishmaan,ā€ ā€œArcadia,ā€ ā€œSlavs!,ā€ ā€œMetamorphoses,ā€ ā€œTwo Shakespearean Actor,ā€ and ā€œOn the Razzle.ā€Ā She has been twice cited for Outstanding Direction by the Kennedy Center/American College Theatre Festival for her work on ā€œUn Tango En La Nocheā€ at Boston University and ā€œLas Meninasā€ at UMBC.Ā She is an assistant professor of theatre and head of the B.F.A. acting program at University of Maryland, Baltimore County.

Meet the Cast:

Florrie Bagel’s (Diwata) regional credits includeĀ ā€œNobody's Perfectā€Ā with the Kennedy Center Family Theatre/National Tour; ā€œJerry Springer: The Operaā€Ā at Studio Theatre 2ndStage; ā€œInto the Woodsā€ at Signature Theatre;Ā ā€œPeter Panā€Ā andĀ ā€œGodspellā€Ā at Olney Theatre Center;Ā  andĀ ā€œThe Stephen Schwartz Projectā€Ā at Metrostage.

Parker Drown’s (Howie) regional credits include ā€œRentā€ (2010 Helen Hayes Award) at Keegan Theatre; ā€œJosephā€¦ā€ at Olney Theatre; ā€œRudolphā€¦ā€ at Adventure Theatre; and ā€œAll Shook Up,ā€ ā€œThe Producers,ā€ ā€œHigh School Musical,ā€ ā€œOklahoma!ā€ and ā€œHairsprayā€ at Toby’s Dinner Theatre.

Sam Ludwig’s (Solomon) regional credits include ā€œSweeney Todd,ā€ ā€œShow Boatā€ and ā€œLes Miserablesā€ at Signature Theatre; ā€œBig Riverā€ and ā€œ1776ā€ at Olney Theatre Center;Ā ā€œSnow White,ā€ ā€œRose Redā€ and ā€œFredā€ at Kennedy Center TYA;Ā ā€œGlimpses of the Moonā€ at Metrostage; ā€œSuper Claudio Bros.ā€ at DC Fringe;Ā and ā€œLa Cage Aux Follesā€ and ā€œTitanicā€ at Toby’s Dinner Theatre.

Karen Novack’s (Teacher/Reporter) credits include ā€œRichard IIIā€ and ā€œEdward IIIā€ at Washington Shakespeare Company; ā€œMauritiusā€ at Bay Theatre; ā€œThe Winter's Taleā€ at Wandering Souls; ā€œTwelfth Nightā€ at Chesapeake Shakespeare Company; ā€œHeart of a Dogā€ at Spooky Action Theatre; ā€œAriel Sharon Hovers...ā€ at Theatre J; ā€œSight Unseenā€ and ā€œMuch Ado about Nothingā€ at Everyman Theatre; and ā€œEverymanā€ at Forum Theatre.

Production TeamĀ includes:

RenĆ©e Brozic BargerĀ (choreographer) has been performing, teaching and making dances in the Baltimore/DC Metro Area for over twelve years. She is a founding director of movement/addiction, a dance-based multi-media performance company, and is currently the coordinator of the dance program at HCC in addition to serving as director of the college’s Arts Collective Dance Company. Most recently, she has taught, choreographed and performed internationally in the US, Canada, India and the UK.Ā 

Aaron Broderick’s (musical director)Ā Rep Stage credits include ā€œTintypes,ā€ ā€œFool For Love,ā€ ā€œT-Bone and Weaselā€ and ā€œFully Committed.ā€ Aaron received a 2010 Helen Hayes nomination for Outstanding Musical Direction for his work on ā€œRentā€ at the Keegan Theatre.

Melanie Clark’s (costume designer) Rep Stage credits include: ā€œAn Almost Holy Picture,ā€ ā€œTwo by J.M. Barrie: The New Word and The Old Lady Shows Her Medals,ā€ ā€œTravels With My Aunt,ā€ ā€œThe Glass Menagerie,ā€ ā€œStones in His Pockets,ā€ ā€œMrs. Farnsworthā€ and ā€œTrumbo: Red White and Blacklisted.ā€

Dan Covey’sĀ (light/projections designer) Rep Stage credits includeĀ ā€œTravels With My Aunt,ā€ ā€œThe Goat or, Who is Sylvia?,ā€ ā€œOn the Verge, or The Geography of Yearning,ā€ ā€œHysteria,ā€ ā€œGod’s Ear,ā€ ā€œIn the Heart of America,ā€ ā€œMrs. Warren’s Profession,ā€ and ā€œBach at Leipzig.ā€ Dan is the recipient of a Helen Hayes Award and Drammy Award.

James Fouchard’sĀ (scenic designer) recent set designs for Rep Stage include ā€œAn Almost Holy Pictureā€ and ā€œTravels With My Aunt.ā€Ā  His work has also been featured in gallery exhibitions at Georgetown University, the Smithsonian Institution and the Washington, D.C. Theatre Design exhibit ā€œIt’s Only a Paper Moon.ā€Ā 

Lian French’sĀ (properties designer) Rep Stage credits include ā€œA Lie of the Mindā€ and ā€œGod’s Earā€ as properties designer, and scenic artist on ā€œAn Almost Holy Pictureā€ and ā€œTwo by J.M. Barrie: The New Word and The Old Lady Shows Her Medals.ā€

Elisheba IttoopĀ (Sound Designer) is making her Rep Stage debut.

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