Arts & Entertainment

VIDEO: This Johnny Cash Show Has Sold 500K Tickets — Now It’s Coming To Huntington

After performing in 12 countries, a top Johnny Cash tribute show returns to Huntington's Paramount on March 29.

Shawn Barker performs The Man in Black: A Tribute to Johnny Cash, a long-running production that has spanned more than 1,000 shows worldwide.
Shawn Barker performs The Man in Black: A Tribute to Johnny Cash, a long-running production that has spanned more than 1,000 shows worldwide. (Courtesy of Shawn Barker)

HUNTINGTON, NY — For more than two decades, Shawn Barker has stepped onto stages around the world dressed in black, guitar in hand, channeling one of the most iconic voices in American music.

Since 2004, Barker has performed The Man in Black: A Tribute to Johnny Cash, a production that has spanned more than 1,000 shows across 12 countries. On March 29, he will return to The Paramount in Huntington, a venue he now considers one of his favorites, bringing with him a full-band show that traces the arc of Cash’s life and music.

“It became a huge show — for over 20 years now, it’s been my only source of income and my only job — because it keeps me so busy,” Barker said.

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According to promotional materials for the show, Barker has sold more than half a million tickets over the course of his career.

Barker first stepped into Johnny Cash’s shoes while performing in the musical Million Dollar Quartet. At the time, he was already working as an Elvis tribute artist, a lane he had entered almost by accident after winning a radio contest on a dare from coworkers. The win led to paid gigs, and soon, what began as a side pursuit became a viable career.

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“There really hadn’t been something like that done on that level before,” Barker said. “We just decided to test the waters and see if people would be interested — and they were.”
The show grew rapidly, taking him across the United States and overseas, eventually becoming his full-time profession.

“I love performing,” he said. “I thrive on being on stage — it wouldn’t even have to be Johnny Cash music. Every day still feels like the first day for me.”

Barker said the demands of touring include long days beginning early in the morning and stretching late into the night, with travel and setup filling the hours outside the performance itself. But once Barker steps onto the stage, he said, everything changes.

“When the first beat drops, all the exhaustion goes away,” he said. “If you see me excited on stage, it’s real — I’m still that stoked after almost 23 years.”

Barker’s journey to the stage began years earlier, following his service in the U.S. Army from 1992 to 1994. After returning home, he started performing in coffeehouses with just an acoustic guitar, eventually forming a cover band and playing local clubs.

The transition into tribute work came unexpectedly, but once he recognized both the creative and financial opportunities it offered, he leaned into it. Tribute performance also gave him a way to tell stories.

“There’s a little bit of acting involved,” he said. “You get to tell history, tell stories — it’s a cool venture.”

The storytelling element is central to The Man in Black. Barker is careful to distinguish his approach from impersonation. He does not attempt to become Johnny Cash in conversation or persona.

“I’m not impersonating Johnny Cash — I’m Shawn Barker telling his story,” he said. “The show is like a live music documentary of Johnny Cash’s life.”

The performance opens with a burst of music — several songs delivered back-to-back without dialogue — before transitioning into a chronological journey through Cash’s career. From his early days with Sun Records in Tennessee to his landmark prison concerts, television appearances, gospel work, and later collaborations with producer Rick Rubin.

“We start at the beginning and take you all the way through his life,” Barker said. “His life story mirrored mine a little bit more — I could relate to it,” he said.

Barker grew up on the east side of St. Louis, in Illinois, in a blue-collar family that faced financial challenges. His father’s roots trace back to Arkansas, the same state where Cash was born, and Barker said many of the experiences described in Cash’s songs felt familiar.

“I didn’t come from money,” he said. “We struggled. A lot of the things he sang about, I lived. Finding faith later in life — that’s another big parallel between us.”

Those shared experiences have shaped how Barker approaches the role, which resonates with audiences across cultures and languages, as he has seen performing internationally in places including France, Quebec, and Germany.

“Even if they didn’t know every word, they still felt the music,” Barker said. “You wouldn’t think a Johnny Cash show would go over like that in a French-speaking province — but they loved it like crazy,” he said.

Offstage, Barker’s life has evolved alongside his career. Now 53, he is married with a young son. His wife, who once performed with him as June Carter, has stepped away from touring to focus on raising their child while he continues to travel.

“Life’s been a blessing,” he said.

Despite the longevity of the show, Barker remains grounded in the reality of tribute performances. He is quick to point out that the audiences he performs for are, first and foremost, fans of Johnny Cash.

When Barker returns to The Paramount on March 29, he said he will bring not only the music of Johnny Cash but also a production that has continued to evolve.

This year’s show will feature a new addition — a performer portraying June Carter — along with expanded visual elements that incorporate video and imagery to complement the storytelling.

He has performed at The Paramount regularly since 2019, calling it one of his favorite venues and saying he hopes to honor the legacy of Johnny Cash while giving audiences something real to hold onto, if only for a couple of hours.

“I want them to feel the same excitement I feel up there,” Barker said. “These aren’t my fans — they’re Johnny Cash fans. My job is to do it right. I want people to walk out with nostalgia. Like they escaped reality for a little while.”

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