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The Marsh Presents "Times Unseen" Performance Festival
The Marsh San Francisco will present "Times Unseen," a riveting solo performance festival reacting to America's changing political landscape

SAN FRANCISCO, CA (10 October 2018) –This October, The Marsh San Francisco will present Times Unseen, a riveting solo performance festival reacting to America’s changing political landscape, just in time for the midterm elections. Spearheaded by solo director maestro David Ford, this festival is the culmination of a long-term performance initiative at The Marsh San Francisco and Berkeley. The festival lineup includes veteran solo performance stars like Brian Copeland, recent Marsh favorites like Eliza Gibson (BRAVO 25: Your A.I. Therapist Will See You Now) and Irma Herrera (Why Would I Mispronounce My Own Name?), and a Marsh Youth Theater performer, among many talented performers. The Times Unseen festival will perform October 19-21 at The Marsh San Francisco, 1062 Valencia St., San Francisco. Tickets ($10-$25 per performance, $35-$55 reserved seating, $29 festival pass, $100 reserved festival pass) and information available at www.themarsh.org or at The Marsh box office at 415-282-3055 (open 1-4pm, Monday through Friday).
Under David Ford’s direction, performers will gather to present first-person narratives exploring the current historical moment through their personal lens. Leading up to the festival, the artists honed their journalistic theater craft through developmental workshops and interviewing fellow Americans from varied backgrounds as inspiration for their shows.
The Festival lineup is as follows, taking place in both theater spaces at The Marsh San Francisco:
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INAUGURATION VACATION (An excerpt)
Written and Performed by Annette Roman
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10/19 @ 7:30pm • 10/20 @ 4pm
Marsh Youth Theater Conservatory performance
10/19 @ 7:30pm
THE REUNION
Written and performed by Joan Chaplick
10/19 @ 9pm • 10/20 @ 7pm
THE METAPHYSICS OF DEMOCRACY
Written and performed by Robin Fletcher
10/19 @ 9pm • 10/20 @ 7pm
ON THE BRINK
Written and performed by Linda Joy
10/20 @ 5:30pm • 10/21 @ 3pm
HOW TO LOVE A REPUBLICAN
Written and performed by Eliza Gibson
10/20 @ 8:30pm • 10/21 @ 4:30pm
THE HAPPIEST WHITE LADY IN THE WHOLE WIDE WORLD
Written and performed by Pearl Louise
10/20 @ 8:30pm • 10/21 @ 4:30pm
TENNESSEE TIMES
Written and performed by Rebecca Fisher
10/19 @ 7:30pm • 10/20 @ 4pm
AT THE DOOR
Written and performed by Robert Geshilder
10/19 @ 7:30pm • 10/20 @ 4pm
I WANT TO SELL DEMOCRACY
Written and performed by Irma Herrera
10/19 @ 9pm • 10/20 @ 7pm
THERE’S SOMETHING IN THE AIR
Written and performed by Brian Copeland
10/19 @ 9pm • 10/20 @ 7pm
UNFRIENDING TEXAS
Written and performed by Harriet Patterson
10/20 @ 5:30pm • 10/21 @ 6pm
VOICES FROM THE PROJECTS
Written and performed by Ben Tucker
10/20 @ 5:30pm • 10/21 @ 6pm
BORN AGAIN IN BERKELEY
Written and performed by Theresa Donahoe
10/20 @ 8:30pm • 10/21 4:30pm
FITS & STARTS
Written and performed by Wayne Harris
Plus readings of Langston Hughes’s poems “Some White Boys” and “America”
Music performed by Randy Craig (piano), John McArdle (Bass), Robbie MacGregor (Guitar)
10/20 @ 8:30pm • 10/21 4:30pm
David Ford (Script Development/Dramaturgy) has been collaborating on new and unusual theater for three decades and has been associated with The Marsh for most of that time. The San Francisco press has variously called him “the solo performer maven,” “the monologue maestro,” “the dean of solo performance,” and “the solo performer’s best friend.” Collaborators include Geoff Hoyle, Echo Brown, Brian Copeland, Charlie Varon, Marilyn Pittman, Rebecca Fisher, Wayne Harris, and Marga Gomez. As a director, Mr. Ford has directed both solo and ensemble work regionally at The Public Theater, Second Stage, Theatre for the New City (NY), Highways (LA) and Woolly Mammoth (Washington, DC) as well as at theaters around the Bay Area including Magic Theatre and Marin Theatre Company. He is also a published playwright.
The Marsh is known as “a breeding ground for new performance.” It was launched in 1989 by Founder and Artistic Director Stephanie Weisman, and now annually hosts more than 600 performances of 175 shows across the company’s two venues in San Francisco and Berkeley. A leading outlet for solo performers, The Marsh’s specialty has been hailed by the San Francisco Chronicle as “solo performances that celebrate the power of storytelling at its simplest and purest.” The East Bay Times named The Marsh one of Bay Area’s best intimate theaters, calling it “one of the most thriving solo theaters in the nation. The live theatrical energy is simply irresistible.”