Zamba 2 Samba + Vintage Language Trio + Smith & 9th Ward @ The Way Station

8pm- Zamba 2 Samba
Genre: Roots Samba
For fans of: Marisa Monte, Elis Regina, Cartola, Nelson Cavaquinho, Adoniran Barbosa

Conceived as a tribute to "Samba de Raiz" or roots samba, Zamba 2 Samba delves deep into Brazil's musical past offering reinterpretations of Brazil's most joyous music from the '40's, '50's & '60's. Led by Susan Justice's beautiful, clear voice and backed by both Brazilian and a revolving group of international musicians, Zamba 2 Samba will take you to a small samba club in Lapa, Rio...at least for the night.

reverbnation.com/zamba2samba

9pm- Vintage Language Trio
Genre: Funk
For fans of: The Meters, Lettuce, Stanton Moore, Medeski Martin & Wood, John Scofield, Charlie Hunter

Mighty funky grooves. Vintage Language Trio (VL3) formed in 2012 and played their first gig before they rehearsed or had any material. The trio built on those raw, improvisational beginnings and created a strong musical chemistry with a sound that's always rooted in rhythm and groove. VL3 plays high energy sets filled with original tunes and funky covers.

Facebook.com/VintageLanguageTrio

10pm- Smith & 9th Ward
Genre: New Orleans Blues/Funk/Jazz
For fans of: New Orleans Jazz, Blues, Funk and Brass Band music

SMITH & 9th WARD is a combo in the New Orleans, funky and soulful tradition. We channel the likes of Dr. John, James Booker, Allen Toussaint and Professor Longhair to bring you New Orleans grooves with a Brooklyn attitude. We consist of members of the OUTER BOROUGH BRASS BAND and we love playing funky NOLA tunes, traditional jazz standards and low-down blues. SMITH & 9th WARD: New Orleans grooves with a Brooklyn attitude.

“Leyton-Brown’s physical stance at the keyboard comes closer to Joe Strummer than Dr. John, but she’s got skills that would make Mac Rebenack grin that trademark grin. Allison injected some old school stride into “Don’t Think Twice,” and her vocals on Crescent City classics like “Big Chief” and “Mardi Gras in New Orleans” were right on point. But it’s the little differences she brings that make her a not-so-secret weapon, like the Fender Rhodes sound she brought to the funky Scatassa original “BQEeze,” or the sizzling Clavinet vibe she conjured up toward the end of the second set that was straight out of Billy Preston’s “Outa Space.” Maybe the traditionalists might freak, but it’s a Brooklyn thing! They wouldn’t understand!” – J Hunter “Nippertown”

“After the bass drummer unexpectedly decided to lead a secondline into the bar room, which freaked out most of the people there, they came back in and kicked things up another notch. By this point, those of us who were dancing stopped caring about what the room full of lazy people thought, and we got up and got down in front of the band on a rousing finale.” – a fan

http://smithand9thward.com
https://www.youtube.com/watch?v=Ams4STP1-0g
https://www.youtube.com/watch?v=_ofQyQW1EDA
https://www.youtube.com/watch?v=lLdEeWfHkbM#action=share